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José Luis Madueño:
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Direction,
Keyboards, Malta (1), Vihuela (1), Drums
(3), Guitar (3), Quena (7), Tinya (7), Vocals
(3, 4). |
Jean
Pierre Magnet: |
Co-Direction,
Baritone Sax (1, 2, 4, 8), Tenor Sax (1,
4, 5, 6, 7, 9), Soprano Sax (4, 7), Vocals
(4). |
Carlos
Espinoza: |
Tenor Sax
(1, 5, 6), Alto Sax (2, 8). |
Remy
Fernández: |
Saxo tenor
(1, 2, 5, 6, 8). |
Néstor
Benitez: |
Baritone
Sax(1, 2, 5, 6, 8). |
Edgar
Espinoza: |
1st. Quena
(1, 2, 3, 4, 5, 8), Toyo (1, 3, 5, 7), Quenilla
(2, 3, 8), Quenacho (3), Basto (7), Chromatic
Zampoña (4). |
Edgar
Huamán: |
2nd. Quena
(1, 2, 3, 4, 5, 8), Quenacho (2, 3, 8),
Basto (4, 7), Toyo (3, 5, 7). |
Juan
Luis Pereyra: |
Charango
(1, 2, 4, 5, 7, 8), Mandoline (4). |
James
Antunez: |
Vocals (4). |
Special
Guests: |
Matthew
Garrison: |
Bass (1,
2, 4, 5, 6, 7, 8). |
Alex
Acuña: |
Drums (1,
2, 4, 5, 6, 7, 8), Percussion (1, 2, 4,
5, 6, 8), Vocals (4). |
Ramón
Stagnaro: |
Electric
Guitar (2, 4, 8), 12 string Guitar (5). |
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All
tracks mixed at The Bakery (L.A. California)
by Andy Waterman, Abril, 1996, except Cruz
del cóndor, mixed at Mix &
Master by Rubén Amiel. |
Engineers:
Mix & Master, Rubén Amiel, Alex
Gutiérrez, Francisco Zamora; Master's
Crib, Pee Wee; The Bakery, Andy Waterman,
Félix Vílchez's Studio, Félix
Toto Vílchez; La Productora,
Ricardo Ghibellini. |
Masterized:
Andy Waterman and Rick Ellis, The Bakery. |
Photography:
Carlos Rojas. |
Executive
Producers: A. Sarria/E. Zimmermman. |
General
Producers: Jean Pierre Magnet/José
Luis Madueño. |
©
1996 Discos Independientes S.A. |
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The
peruvian band Wayruro* is devoted
to the performance and diffusing of
the music of the Andes. This group,
created by José Luis Madueño
(Conductor-Arranger) and Jean Pierre
Magnet (Co--Conductor), has the aim
of giving a new approach to the peruvian
folk music, developing it in a broad
frame with influences from different
musical styles of the world. |
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Wayruro
conceives its music as the pure and traditional
expression exposed to changing and evolving
processes, giving it the condition of Contemporary
to the Andean music. Its work is based on
different traditional styles of the Andean
folklore such as: Huayno (festive
rhythm), Toyada (played in the south
of Perú with zampoña
panflute as the main instrument),
Huaylas (from centre highlands with
predominance on saxophones), Yaraví
and Muliza, as others. This styles
get enriched by concepts derived from Rock,
Jazz, New Age and Symphonic music, giving
Wayruro a unique sound. |
The
instruments used in this band are:
the ones used tipically by traditional
folk bands (zampoñas, saxophones,
quenas, charango, mandoline, percussion,
cajón) and the ones used by
the modern world (synthesizers, keyboards,
electric guitar and bass, drums and
latin percussion). The style achieved
by Wayruro is determined by the use,
simultaneous and separate, of the
acoustic structures and the different
keyboards timbres. |
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The
repertory has original compositions
created by some members of the band
as well as traditional folk tunes.
All these elements make WAYRURO be
a band, that with its personal musical
vision, projects the mysticism, beauty
and power of the Peruvian mountains
landscapes bringing new sounds to
the world. |
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*
This word Wayruro is attributed
to a seed that grows on certain trees
of the Peruvian Jungle. These seeds
are used by superstitious people for
protection and good luck. |
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